THE REVOLUTION STARTS HERE 
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2026 
​ORIGINAL LINOCUTS WORKS ON PAPER
PROPAGANDA SERIES CLICK ON CATALOG 
CONTACT TO GET ON OUR WAITING LIST

Intellectual Revolution (Blue)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
MORE INFO

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We the People (Red)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
​Each pressed is Original
​Only 20ea per color created​
MORE INFO

Statue Removal (Red)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
​MORE INFO

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Fight the Power (Green)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
​MORE INFO

Ancestors Wrath (Orange)
Linocut
18x24”
On paper
Singed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
​MORE INFO

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​Intellectual Revolution (Black)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
MORE INFO

Oligarchical Defeat (Brown)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
​Each pressed is Original
​Only 20ea per color created
MORE INFO

Fight the Power (Brown)
Linocut
18x24”
On paper
Signed and dated in pencil
Each one original with acrylics
2026
Each pressed is Original
​Only 20ea per color created
​MORE INFO

Marcus Jansen’s Propaganda Series linocuts use bold contrasts and stark compositions to challenge dominant historical narratives. Their visual language recalls the graphic intensity of 1950s etchings, with sharp lines, compressed forms, and expressive distortion, connecting his work to earlier traditions of politically engaged art making on paper. By drawing on the aesthetics of propaganda, Jansen both mimics and critiques its persuasive power, exposing how images have historically shaped perception and upheld colonial and militaristic ideologies. His fragmented figures and symbols disrupt familiar imagery, prompting viewers to question the “truths” embedded in official histories. At the same time, the series resonates with contemporary activism, reflecting current struggles around decolonization, social justice, and systemic power. In this way, Jansen bridges past and present, using historical visual language to comment on the urgency of today’s movements while opening space for alternative narratives.